James Jamie Nares
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Works
James Jamie Nares
CATEGORY V, 2015Screenprint
Somerset Satin White 300gsm37 x 19 1/4 inches (each)
(94 x 48.9 cm)Edition of 45© James Nares/Durham Press, 2015Further images
Literature
Durham Press is pleased to announce Category V, a suite of screenprints by James Nares. Comprised of five prints measuring 37 x 19 1/4 inches each, Category V is published in an edition of 45 and is available individually or as a set.
With Category V, Nares continues to develop his celebrated brushstroke imagery. Each print depicts a solitary,
gestural mark that the artist made with brushes of his own design. The prints record the dance-like motions of
these brushes—their twists, skips, dashes, and turns. While these works often draw associations with action
painting because of their free-form appearance, Nares practice stands apart because of his commitment to
repetition and his exacting eye. He rejects many compositions while creating a stroke, clearing the surface and repeating his process until a desired state of movement and balance is achieved in each image.
A similar meticulousness was applied to the printing process in creating Category V. Each print features twelve screenprinted applications of ink. Building from pale violet to rich vibrant tones, these layers unify to capture the
subtlety and vitality of the artist’s brushwork.
Among Nares’s collaborations with Durham Press, Category V is distinct. While his previous prints feature
brushstrokes suspended in the middle of the page or traveling from end to the other, many of these new works
engage three or four edges of the paper. In certain areas, the brushstroke almost leaves the page entirely, only
to return and continue on its fluid path. When considering the suite together, this movement on and off the page
becomes particularly dynamic. One can imagine lines jumping from one print to another, further uniting the
individual images into a larger, cohesive composition.
For more information about Category V or previous collaborations between Nares and Durham Press, please
contact us at sales@durhampress.com
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Biographyb. 1953, London; lives and works in New York
Jamie Nares moved in 1974 from London to New York, where she was active as a musician and filmmaker in the city’s downtown scene. In the 1980s painting became an increasingly important aspect of Nares’s practice, and she began crafting her own brushes in order to achieve an extraordinary result: singular monumental brushstrokes with gestural energy and exacting detail. Over the last several decades, the artist has produced painting, films, and drawings, often utilizing self-developed tools and techniques in order to explore notions of movement and time.Jamie Nares has been collaborating with Durham Press since the early 2000s, producing screen prints with her signature, large-scale brushstrokes. Since 2016, her printmaking practice has expanded to also include intaglio prints, adapting road-painting machines and spinning-lathes to create striking images that reference her Road Paint and High Speed Cone Graphs Series.
Nares is represented by Paul Kasmin, New York. In 2019 a major retrospective of the artist’s work was mounted at the Milwaukee Art Museum. Nares has had numerous solo shows at Paul Kasmin and other galleries, and her films and visual arts have been featured in individual presentations at institutions including the National Gallery of Art, Washington, D.C. (2014); Sundance Film Festival (2014); Cleveland Institute of Art (2013); Metropolitan Museum of Art, New York (2013); St. Louis Art Museum (2012); and Anthology Film Archives (2008), among many others.Nares’s work is included in many prominent collections, including those of Albright-Knox Art Gallery, Buffalo, New York; Hood Museum of Art, Hanover, New Hampshire; Long Museum, Shanghai; Metropolitan Museum of Art, New York; Milwaukee Art Museum; Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; Wadsworth Atheneum, Hartford, Connecticut; and Whitney Museum of American Art, New York.